Amanda Young
This week’s interview is with Edward Patterson, author of the No Irish Need Apply, The Jade Owl and many, many others. Many thanks to Edward for agreeing to answer my questions and share a little about himself with you all.
Q: Hello Edward. First off, could you tell us what genre do you write in, and why?
A: All my novels are gay-themed. However, I like to say I transcend “genre.” I write fantasy, historical (Chinese), mysteries, horror and even romance. Although all my novels have gay characters, they’re just characters . . . and my children, actually.
Q: How long did you write before you received your first contract for publication?
A: I’ve been writing since 1960, but never pushed for publication as I had other ambitions. I received my first publication contract in 2000 for The Jade Owl from an on-line serial website, which promptly bellied up. I am now an Indie author, and loving every minute of it.
Q: So, if you don’t mind sharing, would you tell us about your latest work in progress?
A: I am currently working on Look Away, Silence, an romance in the time of AIDS, and also the third book of The Jade Owl series — The Dragon’s Pool, a light 700 pager, due out in May-June.

Q: Out of all the stories you’ve written, which is your favorite?
A: Without question, Turning Idolater, a whodunit romance about a young internet stripper and a middle-aged author. Somehow, in this mix I introduce an undercurrent of Moby Dick. Nothing has stolen my heart like that novel. I use it as my personal benchmark. Of course, readers favor No Irish need Apply, which has been named the Selection of the Month at Boz Allen Hamilton’s Diversity Readers group for June 2009, a prestigious honor that I hold close to my heart.
Q: Do you need to be in a specific place or atmosphere before the words flow?
A: Actually, no. I just sit at the computer, now that the old upright typewriter has been tossed, and I slip into the zone. I must confess, I write more in my head than anywhere else. When I apply myself to the actual spewing of words, the words already have been fermenting.
Q: What’s the strangest source of inspiration you’ve found for a story?
A: Ah, that would be an upcoming novel, Green Folly, the retelling of the Jonathan, David and Saul story in a corporate diversity setting. It comes complete with the Witch of Endor. I also have a strange item in the front burner called The Road to Grafenwoehr, which I’ve decribed to those interested as “Stephen King meets Jane Austen.”

Q: If you could offer one tidbit of information for new writers, what would it be?
A: Be proud of what you’ve written, but remember, it’s not finished until you’ve revised it at least three times; more perhaps. If what you have written is precious, kill it. Readers want story and great characters, and not to bask in your turn of phrase. That’ll knock them out of your story. Listen to criticism, especially from professionals. They know. You don’t.
Q: Do you have an evil day job or do you write full time?
A: I have worked for the same company for 44 years. Not so evil really. I was a Marketing Director until 2002, when I downsized to posting cash on the general ledgers. However, my publishing works coincided with this wonderful downsizing. So, it is the best event ever to happen to me.
Q: What do you like to do in your spare time?
A: I sing. I’m an Opera queen. I read incessantly. For every hour of writing, I do an hour of reading.

Q: Name one thing readers would be surprised to learn about you.
A: That I am nearly blind in one-eye from Diabetes related glaucoma. When that eye goes, and the other one, which has cataracts, I guess I’ll need to name my seeing-eye dog. I’ll run a contest, perhaps. Good thing I can find the keyboard in the dark and have a fine proofreader, who donates her time to my works.
Q: What’s your favorite dirty word?
A: Fuck. How original, but actually, I love to transpose that word into a refined sentence like a diamond set in platinum.

Q: What’s your favorite holiday, and why?
A: Every day’s a holiday when you’re sixty.
Q: Do you have any tattoos or piercings?
A: No tattoos. Not smart for a diabetic. I have four piercings in ye olde ears, 2 each, 2 of which hold my dearly departed mother’s diamond earrings.
Q: If you could be intimate with three people (not necessarily all at one time *g*) without getting in trouble with your significant other, who would they be?
A: Elijah Wood. Elijah Wood, and Elijah Wood. Pam Racine, forgive me, dear.
Q: If you were stranded on a desert island, what three things would you want with you?
A: My Kindle, a plug and a power plant (for the Kindle).
Q: If you won the lottery tomorrow, what would you spend the money on?
A: I’d send it to Dafur and AmFar. I need nothing but my readers, and they shall not be bought.
Q: Which household chore do you abhor and why?
A: Laundry, because my washing machine leaks and I need to do the floor at the same time as the laundry.
Q: What’s your favorite comfort food?
A: Popcorn in the movies with extra butter and sour-cream flavored salt. Ah, an ode to diabetes.
Q: Do you have any guilty pleasures you feel comfortable sharing?
A: Badpuppy. ‘nuff said.
Q: Do you have a favorite book or movie?
A: Two birds with one stone. The Lord of the Rings – on both counts.
Q: Anything else you’d like to share?
A: As an Indie author, I appreciate all the support that the author and blog community has given to those of us who have decided to do it all ourselves. The stigmas placed on Indie authors are quite onerous, but they exist for various and irrelevant reasons. I am not a tortured author saddled with rejection. I have only received one rejection, and that one was so encouraging, my beta-readers encouraged me to launch out and touch readers directly. Well, it’s done and I would not do it any other way. That doesn’t mean that if a big publishing contract came my way, I’d pooh pooh it, because most Indie authors are just trying to reach their audience through a stiff curtain of an economically depressed publishing industry.
Q: In closing, tell us a bit about your latest release (& share a yummy excerpt for those who aren’t yet familiar with your work)
A: My last work, just released is The Academician is the first part of a four book series called Southern Swallow. It’s a fictional biography of a 12th Century Chinese scholar-official. I have a Master’s degree in Sinology (Chinese History and Culture) and part of a doctorate, so I’ve put that to use in many of my novels. The Academician is an adjunct to my The Jade Owl Legacy series, but also explores homosexuality during this lively period of Chinese history. It is my oldest project, 37 years in the making, and its out, thank heavens.

Excerpt from The Academician - Southern Swallow - Book I:
Chapter One
The Corpse of Pao Chin
1
A bigger fool the world has never known than I — a coarse fellow with no business to clutch a brush and scribble. I only know the scrawl, because my master took pleasure in teaching me between my chores. Not many men are so cursed by a scholar and saddled with the baggage of literary aspirations. Still, what I know, I know. What I have seen, I have seen; so what I scrawl is no more than a witness and a guess on how things grew along my path, which was his path after all. Now that he raises his spectral cup in the Dragon’s Pool with the Other, I can do little but sit on the riverbank, boiling the fish soft for my toothless repast and serve destiny with these recollections. Better men have managed it, so I am doomed to failure. So we begin with a flourish of the brush — with a big
2
A gadfly buzzed in the courtyard watching the Superintendent work. The place seemed deserted. While the city market hummed just over the Ya-men wall, the great official appeared engrossed in his industry — perusing memorials destined for his superior in Yang-chou, a critical eye, who examined every character for proper usage. Perusing every document, from petty requisition to execution warrants, served the Superintendent’s best interest, although the gadfly buzzed.
Xin Ch’u, the chief clerk of the Ya-men, took his ease in the doorway behind the sandalwood screen. It was stifling indoors, yet he knew that to make his presence known to the Superintendent would immediately enlist his aid on the papers at hand. It was better to stall here in semi-shade and watch the official toil. There would be plenty of tasks for Xin Ch’u’s staff, but why suffer the imposition now? Xin Ch’u’s several chins ran wet. His fan gave him scant relief. As he watched, he saw an inviting bowl of wine on the Superintendent’s desk. It would be tepid, and might even heat his blood, but Xin Ch’u longed for it. His own larder was far off, at least a quarter hour’s walk, so Xin Ch’u hoped that if he presented himself before his liege-lord that he could avert the tasks if not preempting some of the glorious wine. He fluttered his robes, airing his soaked vestment, and then prepared to enter the courtyard like a man lost in the summer heat.
Then, he heard the gadfly. So did the Superintendent, who gazed up from the scrolls. His brush outlined the fly’s trajectory as it buzzed about the desk, landing on the ink block. Xin Ch’u halted, still unseen by his lord. The Superintendent fluttered his hand across the block, his fingers flicking the air. He did this three times, and then rose slightly from his chair. He grasped his chest. He choked, and then sprawled across the desk. A slight man, he brought no harm to the desk.
Xin Ch’u observed these things calmly. He pressed forward slightly until he heard the gadfly’s buzz. It hovered over the Superintendent for a short spell before nestling in his ear, perhaps to sing a last song for His Excellency. A slight smile blossomed on Xin Ch’u’s lips. He walked around the desk, scanning the man and his workload. There was little doubt of the condition, but still if a mirror could be clouded, the guards must be summoned — the doctor would be fetched and the courtyard would fill with a plethora of assorted busybodies, all seeking news and . . . well, the spoils of death. That wouldn’t do, not for Xin Ch’u. He sneered at the Superintendent’s helpless form, and waited for a last ditched burble or fart. None came, so the chief clerk reached down for the glorious wine and drank the bowl dry.
“Dead,” Xin Ch’u said. “What a bother. Another one dead.” He looked about for more wine, but saw none. “At least this one has not left posterity to complicate things.”
“Brilliant,” he said. He sneered, gazing down at the man who was his overlord. “More brilliant than you were, Pao Chin. This is my reward for diligence. I had forgotten that you had such a treasure.” He had spied it once at court, but mostly it hid under robe sleeves, or bent to the angle of the brush. Xin Ch’u raised it higher. “Now, as I look at it in a better light and on a better finger, I will not think much of you, Pao Chin.” I do not think anyone will ever think much of this man, he thought. The Superintendent had been grafted on the scene. Everyone knew that the clerks ran the Ya-men, and everyone recognized that Xin Ch’u ran the clerks.
Someone was coming. Xin Ch’u slipped the ring from his finger and into the larder hidden beneath his robes. He assumed a pose of alarm. Less so when he saw it was his lieutenant, Mao Fei. Mao squinted as the sun’s Western decline now cut across the courtyard. He shaded his eyes, sniffing like a dog. He walked like a scarecrow if a scarecrow could walk.
“Xin Ch’u, is there anything amiss?”
Xin Ch’u sighed. “Nothing is amiss, Mao Fei. Pao Chin is dead, that is all.”
“The superintendent is dead?”
“Dead,” said the chief clerk.
Mao Fei circled the body. He prodded it with his fan as if he were waking the man from a late afternoon snooze. When Pao Chin failed to arise and dance the harvest fling, Mao Fei smiled. He may have even given a chuckle, but it was hard to tell with the man. He was as creaky as a hinge. “This is most inconvenient,” Mao Fei said. “Most inconvenient, indeed. But are you sure he’s dead?” He prodded some more, but was really looking for loot. His pouty, thin lips showed disappointment. He probably knew that if he had come upon Pao Chin as he collapsed over the desk, he would be more the richer and Xin Ch’u as barren as Mao-tien’s old ox.
“Most assuredly,” Xin Ch’u confirmed. “Pao Chin is dead.”
Mao Fei blinked. “But how did it happen?” He peered under the table. “Did he perform the death ritual?”
“Do you see any blood?”
“None.”
“He was working, as he always has, and then there was a . . . gadfly.”
“Gadfly? He was killed by a gadfly?”
“I suppose so. I mean, he waved it away and must have strained his ch’i, because he just slumped across the desk.”
“And the fly?”
“Survived. I saw it on his . . . well, I saw it.”
“You let it live?”
Xin Ch’u shrugged. “I have done many things in service to this Ya-men. I shall not become the minister of fly swatting.”
He thought on this for a moment, and then began to chuckle, his chins shimmering in the golden light of sunset. Mao Fei cackled. It was a rare moment in the comraderie of these men. They had served in many capacities in this place — served many lords, but never considered being on insect patrol, until now. Alas, too late, because Pao Chin was dead.
3
Pao Chin is dead. Or I should say, was dead. Well, that would mean he is alive, but he is dead. I can most assuredly state that case. Pao Chin died and that is a good thing for this story, because without his death, my master would not have taken his place as the Superintendent of Su-chou. Timing is everything, or so I have been taught through this fateful existence I lead. With death comes vacancy. Vacancies must be filled — opportunities gained.
My master, the revered scholar Li K’ai-men, had just passed the regional examinations for office. He had attained the highest possible grade, a distinction aided with much vigilance by your humble servant, who filled his soup bowl and empty his piss pot during the interminable days he was pocketed in the examination cubby. But he did well. More than well. First place. He was marked to receive an immediate post, a position sufficiently grand for such an achievement. So Pao Chin’s end became . . . Li K’ai-men’s beginning.
I was a young pup then, attending my master’s every whim. What did I know? I, K’u Ko-ling, son of K’u Fei, a lowly son of the soil from Gui-lin. All I knew was what my master taught me. He showed me how to mix the ink, to prepare the brushes, to boil the soup, to pay the whoremistress, and . . . and I loved to spy on that. I could tell you much, and probably will, but everything in its time and place. Little did I know how much I would learn in service to a great scholar and a man of high governmental rank. I probably learned more than half of the piss-ant bumblefuck sons of scribblers that roam the land from town to town with petty services and warrants. I had warrants of my own. But all in time. Everything to its time and place.
My master, Li K’ai-men, was to be the Superintendent of Su-chou. What an honor that was. He would rule over an important district. First appointments are usually a shit-hole in An-hui or a cold, ball-chilling hut on the Yen border, but not for my master. He drew the bastard plum — Su-chou.
I think that Pao Chin’s death was for the best. The gods were good that day. I did not know the man, nor would he have known me. Yet, I feel so intimately grateful to him for passing on to his ancestors that I could swell with joy when I think of his life, long and healthy, fat and greasy, sated and mated until the end. Never was there such a well deserved or well timed
death as his.
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March 27th, 2009 at 10:50 am
An excellent and insightful interview. Thanks for sharing that, Ed!
March 27th, 2009 at 3:30 pm
Very impressive work to have there. You’re a man who knows how to use his time, that’s for sure.
March 29th, 2009 at 10:14 am
Fascinating interview, guys.
Ed, your output is incredible!
April 4th, 2009 at 4:32 pm
Ed, the more I know of you, the more I like you. And I still have all your work to read! Great excerpt and I’m charmed by the Jade Owl. Thanks for the interview.